It’s interesting that the next film took so long to make, because ‘Tár’ doesn’t feel dated at all. The power of smartphone culture and social media, and the way we comprehend modern identity politics, makes the moment feel relentless.
It’s a really moving target, so I’m glad to hear you say so. Part of the reason is the tempo in which this happened. It took him less than two years from when the script was handed to when he saw it, which is like the speed of light in Hollywood. It never happens, right?
Did it feel like your focus called a bluff?
Yeah I was really mad at them. I’m used to turning in a script and having everyone say ‘oh well done’ and nothing happens, so I accept it as part of my life. The idea of having to leave home for over a year to actually make a movie seemed so silly to me. You don’t want to make this movie. ’ But they were adamant about it.
Why did you feel that “Tár” was such a radical thing for them to make?
If you look at what is considered a theatrical film now, it has changed dramatically compared to when I was making my last film. And in terms of putting a movie like this on the big screen, as far as I’m concerned, that’s exactly where it belongs, and I don’t think many people outside of Focus Features would believe it. is a story worth watching in a collective atmosphere with other people, not at home grabbing phones and remote controls and cooking.” and investment is required. And such philosophies are becoming more and more rare.
Lydia Tarr is a compelling character. She has built herself up to be more than just an artist.